Out of the Furnace (2013), directed by Scott Cooper
American Hustle (2013), directed by David O. Russell
It’s been a while since I’ve done a Double-Shot Review (or a review at all, really. My apologies.) but I’ve recently been inspired by a couple of films featuring the occasionally-great Welsh actor Christian Bale (Reign of Fire).
They’re two films which really have a lot to say about what it means to be American, so I find it ironic having a Welshman in there, but maybe that’s just me.
Out of the Furnace is the type of film I find extremely frustrating to watch because all the elements are there for what could be a really whiz-bang, gritty revenge film, as the trailer made it seem like it would be, but it all simply goes to waste.
First you have a great cast of rough and tumble character actors with some meaty roles. Just tell me you have a film starring Casey Affleck, Sam Shepard and Woody Harrelson in which a steel mill and illegal boxing figures heavily and I’ll gladly wait in line opening night.
Which brings me to the subject matter. Some people, David Edelstein for one, don’t have the same affinity for dark movies about small-town violence bathed in Southern gothic themes as I do. Maybe it’s because I grew up in a mill town, maybe it’s because I watched Five Easy Pieces too many times as a teenager, I don’t know. All I know is you give some actors a Southern accent, throw them a few guns and tell them to argue about meth and, again, waiting in line.
Some call it “poverty porn.” It may be. There’s certainly nothing truly glamorous about welfare and substance abuse. But isn’t all cinema exploitation? At least most of these style of films genuinely want you to care about their characters.
But I digress.
My point is that even with all of these ducks in a row, Out of the Furnace still manages to be an absolute bore.
It’s got a good setup, with Bale’s brother (Affleck) back from Iraq and getting mixed
up in the wrong crowd as he deals with some mid-level PTSD. You know he’s going to get in trouble and Bale’s going to have to bail (eh?) him out. We know the main baddy, played by Woody Harrelson, is a psychopath from the prologue, and the movie poster tells us Bale is going to be holding a rifle at some point, so it seems all good.
And then the movie starts in with this rambling, meaningless cross-scene of Bale hunting and Affleck boxing, and Bale going to jail for no apparent reason in terms of plot arch, and then when you think the movie is finally getting to the climactic violence it puts on the brakes and heads for home, and then when it does hit its peak it involves a lot of walking and talking in a field etc.
I get that the director is trying for something more here but, son, when you have the elements in place and the eye for a gritty 1970s-style revenge film, you go for it. The Deer Hunter is an obvious inspiration here, but The Deer Hunter this film is not, and a lot of people even look back on that nearly-forgotten film as a rambling mess. (I love it, for the record.)
Get the brother killed, put a rifle in Bale’s hands and let’s go get us some meth heads. Because even with the moody ramblings, that’s exactly what this movie still ends up doing. So why not have some fun with it?
Far less frustrating is American Hustle, which in terms of setup and execution is the complete opposite of Out of the Furnace. With Furnace we have a film with a few strong basic elements which it stretches out and completely fumbles. With Hustle we have a film with so many elements in play only a truly impressive directorial touch manages to spin them into a solid, legible and highly entertaining movie.
This partially-true (“Some of this is true” reads the screen before the film) take on the Abscam bust on the late-1970s is a dense film. It has, ostensibly, four main characters, a notably complicated conman plot, fast dialogue, complicated personalities and at any time seemingly dozens of things going on all at once.
And yet Russell manages to make it all work.
What he’s doing here is going for the Scorsese approach. (We’ll see who does it better when The Wolf of Wall Street comes out on Christmas.) While watching American Hustle kind of made me miss the magnificent cohesion Scorsese manages in an incredibly complicated film like GoodFellas, Russell almost hits that same swirling high.
Like Scorsese, Russell brings out all the tricks: swooping camera movements, an attention to detail for the period of the film, gaudy costumes, rockin’ soundtrack, quick cuts, fast talking. He’s good with them too and American Hustle captures that wonderful combination of dizzying and captivating.
While GoodFellas was clearly about the temptation and ultimate trappings of a life of crime to a low-level nobody, American Hustle is pretty much about just a bunch of absolute morons, let’s be honest.
Which may be the point in and of itself. The film seems to be asking who isn’t a conman? We get actual conman Irving, played by Bale, but we also get the FBI, politicians, the mafia and regular ole people, with everyone lying to everyone else, not to mention themselves.
I don’t know if any of it comes together for any sort of profound point, but it is a scathing peek at the pathetic trappings of modern America.
More than it is important though, American Hustle is entertaining. It’s shockingly funny and full of wonderfully energetic performances, particularly from Jennifer Lawrence and Bradley Cooper, reunited with Russell after Silver Linings Playbook. The film races along with an invigorating pace. It has a kick ass soundtrack.
And so, so much side-boob, if you go in for that sort of thing. I know that sound juvenile, but just watch the film. It’s all I heard anyone talking about after it let out.
It falls into a few traps, including some painfully unnecessary narration and occasional meandering, but in general American Hustle is, like all movies, a great con. I doubt it will crack my Best of 2013 list, but it wouldn’t be far behind.
Sorry I didn’t really have much so say about Bale, despite the lede. I get distracted. You know, side-boob.
Out of the Furnace and American Hustle are in cinemas now.